Showing posts with label USA. Show all posts
Showing posts with label USA. Show all posts

School of Visual Arts, NYC: Comics Cabinets


School of Visual Arts, NYC


School of Visual Arts, NYC: Graphic Novels

And some serious colour panels.


School of Visual Arts, NYC


School of Visual Arts: SVA and Milton Glaser Archive

Even. More. Trolleys.

School of Visual Arts: SVA and Milton Glaser Archive


School of Visual Arts: SVA & Milton Glaser Archives

Graphic design. On paper.




School of Visual Arts Archive

The institutional SVA Archive was set up concurrently with the Milton Glaser Archive, so Beth and her colleague Zacahry Sachs are generally as busy as two archive/library staff can be. Which is, you know, pretty busy. They were also investigating new archival management systems such as CollectiveAccess  (I love that system), as well as preparing to move the physical collection, so I am pretty happy they took the time to meet with me. Full points and gold stars.

Getting into the physical archive was great. Beth had innovated, and made best use of a small and less than ideal space.
There is no formal climate control, but they have housed them uniquely.
Working with an awnings company, Beth helped create these canvas housings for the shelving units.



Rubber backed canvas and waterproof zips provide an environment within the room that is light and dust and waterproof.




School of Visual Arts: SVA & Milton Glaser Archives


Beth Kleber, chief archivist, has had an extraordinary role in the set up (from the ground up) of an institutional archive.
A librarian (with postgrad archive training via NYU's dynamite archive program) here in the SVA's Visual Arts Library for over 5 years, Beth returned from baby-making hiatus and was set to the task of archive genesis.

It was borne from the longterm friendship between SVA founder and chairman Silas Rhodes and legendary designer Milton Glaser (responsible for, among many other things the iconic I ♥ NY campaign and logo).
Mr Glaser wanted to create an archive of his work at the SVA. At this point there was no archive of any kind at SVA. While the school was figuring out where to put such a wonderful thing, Beth worked directly with Milton Glaser, in his studio.
This took a few years.




What an extraordinary boon for an archival collection. Beth worked through his effects, with him, to decide what to donate, and was able to speak with the creator himself on the significance of each item. Apparently no small task: Milton Glaser kept everything- every note, every napkin scrawled with ideas, plus all the original art and printed material. Beth gleefully referred to that time as her "Milton Glaser University" years. All info was dutifully databased as she went, but I am quite sure she herself is probably the most important Milton Glaser resource in the collection/basically anywhere.
As it turned out, almost all the material ended up at SVA. The Milton Glaser Archive, with its antecedent Milton Glaser Collection was soon fortified by several other significant collections, such as Chermayeff & Geismar Collection (a firm that pioneered the abstract corporate logo), and the Henry Wolf Collection. Many of the designers included have a history with the school, usually through their excellent teaching program.
See list of the Glaser Archive holdings here.




School of Visual Arts, NYC


Fales Library and Special Collections: Riot Grrrl Collection


Best Way To Disseminate Feminist Punk Culture Through a Public Institution. The gong goes to the Fales. On shelf with some critical theory and a disaster plan.

Fales Library and Special Collections: Riot Grrrl Collection


Fales Library and Special Collections: Riot Grrrl Collection

Artaud-Mania


Lisa enjoys the crossovers between the Riot Grrrl and the Downtown Collections.
A lot of the downtown scene was influenced by french thinkers and decadent poets, by Artaud. 
She is particularly fond of the way this zine subverts the Riot Grrrl confessional mode, of dear diarism. It is apparently a smart, direct, work. It sure looked good.

A lot of these collections include the zine masters. These are the flats Johanna Fateman would copy from. In the unprocessed part of the collection are all the pieces that went into the zines, and a lot of the collections that are zine-related include variety of correspondence as well. 
This collection was pretty well organised when it came in. An ordered shoebox.

Fales Library and Special Collections: Riot Grrrls